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當(dāng)前位置 首頁(yè) 動(dòng)作片 《膽包天》

膽包天7.0

類(lèi)型:動(dòng)作片 其它 1975

主演:托馬斯·米連  約瑟夫·科頓  Maria  Fiore  Mario  Piave  盧..  

導(dǎo)演:翁貝托·倫齊  


無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放


膽包天相關(guān)的美劇

劇情介紹

片名:《膽包天》

類(lèi)型:動(dòng)作片

上映時(shí)間:1975

上映地區(qū):其它

導(dǎo)演:翁貝托·倫齊

主演:托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr

集數(shù): 完結(jié)

語(yǔ)言:其它

動(dòng)作片膽包天由演員托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr精彩表演,膽包天講述了一段感人的故事。膽包天動(dòng)作片由知名導(dǎo)演翁貝托·倫齊指導(dǎo)拍攝,膽包天的影片鏡頭完美,膽包天的劇情千回百轉(zhuǎn),膽包天的精彩片段膾炙人口,膽包天讓人夸夸其談。膽包天上映于1975年,膽包天在上映地區(qū)其它受到大家喜歡,而成為熱門(mén)電影。膽包天的評(píng)分達(dá)到7.0分,所以膽包天是一部?jī)?yōu)秀的動(dòng)作片。

膽包天劇情講述了:Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。

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